I am working on my second novel and having a bad time of it. Writing my second novel some days I feel like Sisyphus. My first novel took fourteen years to write and I worked on in in bits and pieces with UW-Madison Writer's Institute classes; UW-Madison's Weekend with your novel; , UW-Madison's critique groups; and, UW-Madison's Writers by the Lake. I did it this way because I was still in the work-a-day world and used these special classes to devote myself to writing in short, intense bursts of learning, energy and creativity. In those days I thought being free from the stardard job would be a panacea for my writing life.
My career ended abruptly one Friday morning when I learned that my managers' salary was dragging the company I worked for into the financial abyss, twelve others got the same news that day. I am fortunate to have a pension so financial security was ensured and I saw this change as my chance to finally finish my first novel. Murphy's Troubles was published in November 2013, it had taken four years. I've finally settled on what to write for my second novel, only because the protagonist, Ian Murphy scolded me in a dream and said he wasn't finished telling his story. My working title for the second novel is: There Was Sadness, There was Joy. As I began to write I discovered I don't have a writing routine. I have complete control of my time and yet I struggle to develop any sort of writing routine. The entire book is in my head, of that I am certain. I found myself obsessing with chapter one, which has been written and re-written at least 25 times. There is some part of me that has to have the first chapter exactly right before I can move on. So, I'm accepting that as part of my writing routine. I've also been indecisive about point of view, that demon that haunts me whenever I splash a work across the screen of my lap top. Just this week I've settled on first person point of view. While some consider it limiting, it allows a more personal, in depth story. I want to see the world only through Ian Murphy's eyes because that's the only way I can convey it on the page - the way Ian wants the story told. I will be working on having a writing routine for a long time to come. Who knows, maybe my routine is not have a routine. I know there's a lot of advice to just sit down at the keyboard every day, same time, and do my thing. That approach seems to be common among writers. For me, it doesn't feel right; maybe I'm fighting the self-discipline it takes. So, a lot of days I feel like Sisyphus, pushing the boulder up the mountain only to watch the boulder roll down and do it again tomorrow.
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A few weeks ago I was talking with a friend about a book that our community will read together. Our library director is initiating a program called Sun Prairie Reads this year which kicks off in late March. The book selected is a young adult fiction, Seedfolks, by Paul Fleischman which is a Newbery Medal winning novel. I talked about the structure of the book, how the story built into a crescendo and how characters lives were woven together. My friend looked at me and said: "As a writer you read differently than I do. I just liked the story."
His comment caused be to reflect on my reading life. He was right, having completed the process of writing, editing and publishing a novel I do read differently that I did before that experience. In the past I consumed Ray Bradbury novels, not for the science fiction, but the story. I'll read any Wallace Stegner for his language and common life stories like going home after a lifetime away and learning about yourself. When writers are asked for advice they often say that you need to read, deeply, exhaustively, in all genres. In many ways this advice is self-evident. I can't imagine a writer who doesn't also love to read. I must confess that I don't read all genres. I skip erotica, non-fiction, paranormal and dystopia just from personal preference, no judgment intended or implied. I tendy to rely on my Tuesday Morning Book Club to introduce me to literature I might not choose for myself and that has proven very satisfactory. This month I read my first Russell Banks, Continental Drift. I don't know how I reached my age and be ignorant of Russell Banks. Continental Drift was nominated for the Pulitzer and if I had voted it would have won. I must admit that the point of view Banks uses initially confused me. I felt like I was watching a movie about Robert Raymond Dubois and Vanise Dorsinvilles. For perspective I contacted my friend and mentor Marshall Cook. He suggested that the point of view was intentional because both characters often are just observers in their own life. Eureka! Reading Continental Drift taught me a lesson as a writer. I'm working on my second novel and my worst problem, point of view, has reared its' ugly head in chapter one. Reading Banks' book gave me a solution to my point of view problem. So I agree with my friend that, as an author, I do read books from a wrtier's perspective, and that's just fine. When we travel my wife and I stay at a bed and breakfast. We have been staying at the Crystal River Inn near Waupaca, WI for over six years and have become friends with owners Robert and Deb Benada. This past weekend we stayed at the Inn hoping to cross country ski at Hartman Creek State Park. Saturday morning the ranger explained they had rain earlier in the week and the trails were covered in ice, we could hike but not ski. We changed to snow boots and took a hike. The rest of the weekend we spent reading and being disconnected from my laptop and all forms of social media.
Robert and Deb had gracioiusly agreed to sell a few of my books to guests that may be looking for something to read. They set up a nice display at the entrance to the B & B. Sunday morning we walked to the main house for breakfast and was greeted by an older man making himself a cup of tea. We exchanged "hellos" and he asked: "Are you the author?" I responded, "I am" and introduced myself. He said his name was Thomas Olson and he writes too, he wrote songs. In fact, he had written asong already that morning and asked if I wanted to hear it. Why not? We sat in opposite chairs and Thomas sang a verse of a song about the sunrise that sounded like a children's song. When he finished he looked at me with a broad grin and said he wrote mostly children's songs. He then got up and left the room. He returned carrying my book. He handed it to me and asked me to write something in it for him. He suggested I listen to him play some more songs and then I would know what to write. He sang a series of traditional Irish songs. Thomas told me he was visiting a friend at the VA Hospital in King. Thomas was in the Viet Nam War and suffered a head injury. He said he spent 10 years in the VA home and the man he was visiting had been his roommate. I asked Thomas his age and he said 68 although I would have guessed 78. He handed me his business card and explained he and his wife sang at churches for children. The card said: "Music that brings joy to your life" with a picture of Thomas and his wife standing in front of the Wasington Monument and their phone number listed at the bottom. Thomas was a simple man. He shared his creatvity and joy through music, simple, heartfelt music. It was important to him that he share his music Sunday morning. When he finished I told him I knew what to write in his copy of my book: "To Thomas Olsonb, an Irish bard in spirit." "What's a bard?" he asked. "You are Thomas, you are a bard with your music." Since Murphy's Troubles was launched last November 18th I have been on a marketing roller coaster. I was astonished at the local support I received. Both our local coffee shop, Beans n Cream and the Sun Prairie Public Library agreed to host author book signing/reading events. They also collaborated to design and print a poster advertising the events, I handled the distribution. Our local newspaper, The Star, agreed to an interview and published an in-depth four column article announcing my book release.
Yet, my presence in th internet world is almost non-existent. I've had my website for several years and have been blogging once a week for a year. I paid a consultant to review my website and made a lot of changes that resulted in about a 25% increase in hits. It was worth the expense. In January I took the time to develop a detailed marketing plan for myself. Right away I learned about myself that my goal wasn't to sell books, my goal was to attract readers. Really, the motivation to write is to have readers. I have discovered there are numerous services to help independent writers/publishers but they all cost money. Of course, the big wad was spent in bringing Murphy's Troubles into the world so there aren't a lot of resources to invest in marketing, which is a class catch 22. I developed the strategy that the cost of any marketing dollars must be recovered through book sales. Sounds like a rational policy. Then I was talking with a consultant I trust and she said I could take that approach butr I had to realize I'm an unknown author and the effort to become known will cost money. She was right and I knew it. In my marketing plan my original goal was to devote at least five hours a week on direct marketing activities. I also have the goal of finishing the first draft of my second novel this year. In part, these goals were in conflict. Part of my time devoted to finding readers for the first book while also devoting creative time for my second book. I kept a calendar to record the hours I spent marketing and soon found myself a slave to that calendar. By chance I found a blog, The 7 Worst Mistakes of the Indie Author and How to Fix Them by Joanna Penn March 4, 2012. The seventh mistake is focusing everything into one book. Her point is that yes, an author needs to market that first book but must remember that we're writers and not lose focus. "Obsessing over marketing one book isn't as important as getting on with the next." Eureka! Now my marketing goal is to focus on one specific marketing activity a week and devote the majority of my time to writing my second novel. It feels right. I've found balance. Thank you, Joanna Penn for blogging about your writing experience. Last week I shared with you my experience with a local independent bookstore that charges a $15.00 fee for consignment sales. The other independent bookstore in Madison is Mystery to Me owned by Joanne Berg and is tucked into the Monroe Street neighborhood at 1863 Monroe Street. Joanne had a career at the University of Wisconsin and retired recently and opened a bookstore, her lifelong dream. The previous store, Booked for Murder, was closing so Joanne bought it and moved it to the Monroe Street location. As the name implies, the store specializes in mystery books. In the eight months Joanne has owned and managed the store she has expanded the selection to include general fiction, children's books and local authors.
The bookshelf for local authors is in front of the store between the entrance and the checkout counter. You can't miss it. She also puts a bright orange sticker on the books, LOCAL AUTHOR. I called her and she invited me to come in the same day, bring some books and discuss a potential author event. I took five books. Joanne had a form to fill out and the split was 60% for the author and 40% for the bookstore - NO FEE. In addition, she will have my book reviewed and the review will be published in a bookstore newsletter and my book will be advertised on their webpage. When the five books are sold, I get a check and we discuss how many more books she would like to have. Easy. To support local authors Joanne has developed what she calls an Author Slam. It's a three day event where authors get 15 minutes to pitch their book to the public. The books can be any genre. This year the slam will be February 20, 21 and 22. Joanne has signed up 31 authors to make a presentation. No other bookstore in southern Wisconsin sponsors an event like this. The Author Slam is good for first timers because anyone should be able to survive 15 minutes on their feet in front of an audience. It's good for the bookstore because it attracts traffic through the store for three consecutive days and those folks are readers. Most avid readers are not able to purchase only one book when they visit a bookstore so there are more sales which in turn supports future Author Slams. My experience with Joanne Berg has restored my faith in independent bookstores and the collaboration between independent bookstores and independent authors/publishers. I must share my experience with one Madison independent bookstore. I will strive to share my experience without judgment, although it is difficult. I would prefer each of you to form your jown conclusion.
I e-mailed the event director of the bookstore three times asking what the process was to schedule a local author reading/signing event. In the third e-mail I allowed my frustration to show and specifically asked for the courtesy of a response and documented my two previous e-mails. After the third e-mail I received an apologetic response that didn't address how to schedule an author event but did make an offer to take three of my books on consignment and a form was attached for me to complete and bring in when I delivered the books. I was disappointed that they only wanted three books, but it was a start. I printed the form and learned there was a $15.00 fee for selling my books plus the bookstore would take 40% of the sale price. I admit, I was angry with the request for a $15.00 fee. I had spent the week researching marketing opportunities and everything cost money. For example, a two week blog tour cost $175; joining the Author Marketing Club cost $125; placing an ad in Goodreads was $100; a marketing company wanted $690 to evaluate my marketing plan and do 10 blogs. The $15.00 fee was more than I could tolerate. To calm myself I completed a financial analysis of the consignment. When I include the book cost and shipping for each book then add the $15.00 fee it would cost me about $6.00 to have the bookstore sell three books. The bookstore would make the $15.00 fee plus 40% of the sale price. The bookstore would get about $33.00 for selling my book. Do you think there's anything wrong with this picture? I e-mailed the bookstore event director and shared my financial analysis and asked if their practice of charging an independent author $15.00 to sell books was fair. I told them I simply couldn't afford to have them sell my books unless they relinquished the $15.00 fee. The response I received was that they too had completed a financial analysis and claimed that it cost them $15.00 to sell my book. That argument seemed inaccurate to me because I'm sure they dont charge traditional publishers to sell books - no publisher would pay a fee. In addition, the bookstore has to buy the book from a traditional publisher. In a consignment sale the bookstore doesn't purchase the book. The director of events claimed that most independent authors covered their fee by raising the price of their books. My book has the price, with a barcode, on the back cover. I can't and wouldn't change the price of my book, it isn't ethical. I didn't respond to their final e-mail. There is no point. For the record, the bookstore is A Room of One's Own. Next week I'll share my experience with the other independent bookstore in Madison. What do you think of a bookstore charging an independent author/publisher to sell books? Sometimes I feel like writing about things, unexpected things that happen in my life. This week’s blog is one. I live in the country off of a state highway. My neighbor and I share a mailbox post that the previous owner ingeniously constructed to hold two mailboxes on a single post. Saturday I ran a few errands and when I drove into the driveway I stopped to pick- up the mail. Our mailbox was gone! I saw huge tire tracks in the snow where our mailbox used to me. The box now rested in the ditch about twenty feet from where it stood. Black plastic parts of a vehicle were strewn in a path following the tire tracks in the snow.
There were footprints in the snow leading to our mailboxes. Someone had checked it out but left the boxes where they were. Soon our neighbor joined us and he showed me a business card from one of the local sheriff’s. His wife noticed a car abandoned in the ditch and our mailbox and called the sheriff. Apparently the car had an Iowa license plate and the driver took off. My guess is that the driver was as drunk as a skunk. The mailboxes rested on a 3 inch square post buried in the ground so to knock break through a solid piece of wood meant the car was traveling very fast. By the tracks in the snow the only thing that stopped the car was the snow. My neighbor wanted to repair the damage so we could have our mail delivered. My solution was to notify the post office and have our mail held for us to pick up and address the problem in the spring. My neighbor wanted that mailbox back up. He agreed to make the repairs and prop it up; trying to break through frozen ground would be a folly. My job was to google postal regulations on how to put up the mailboxes. The temporary job is done, it’s not pretty, and it’s functional. Living in the country has risks I never imagined but having a one acre wooded lot is worth it. I have one huge pet peeve. “Pet peeve” is my Father’s language and the older I get the more often I hear my Dad’s words escape my mouth. A peeve is a particular grievance and mine is people who don’t respond to a specific request. For example, if I write a friend an e-mail asking if they would be available for coffee on a specific day and time, I EXPECT an answer. If that friend doesn’t answer – that peeves me.
In my journey to market MURPHY’S TROUBLES I make my initial contact through e-mail. I was asked for a blog interview, completed it and was told it would be posted in a week; that was on December 1st. There was no post. I waited until January 15th and sent a follow-up e-mail, no response to my follow-up. That peeves me. On November 29th I sent our book group leader a copy of my book and asked if it could be included in the group’s fall 2014 session. No response. Why? Don’t I deserve a response? Even if the response is – NO – NO WAY – it would be an answer. Silence peeves me. I placed on ad on Goodreads. I spent good money on the ad. In 10 days I had 3893 views of my ad. Not ONE click to purchase my book. Not ONE. What are the odds that not one in nearly 4000 people would click into my ad? At least I have the opportunity to change the ad to try to fix it. I’ve also sent e-mails to several bookstores asking how to schedule an author reading/signing and offering my book for sale on consignment. Guess what? No response? I have been under the impression that business courtesy was to respond within at least a week. I haven’t had any responses. I suppose I’m old fashioned in expecting a business response to a business request, it’s easier just to ignore me. I’m not giving up. This week I’ll follow-up with a phone call. With my luck, I’ll talk to a voice mail. So, if I ever contact you with whatever media (e-mail; phone-call, text) please have the courtesy to respond. I always respond to requests, even if I say – no thank you. In researching elements of a marketing campaign for independent authors/publishers it was stressed that book reviews are essential. In the traditional publishing world publishers send out either advance copies or copies soon after publication and tend to work with specific reviewers. It is highly recommended that we self-publishers also send out advance copies and use the reviews received both as part of the back of the book blub and for initial marketing.
I didn’t send out advance copies of my book to reviewers. I was caught up in the details of book production and was determined to hit the holiday market; there just wasn’t time for everything. I met the goal of having MURPHY’S TROUBLES available for holiday book purchases (November 18th available on Amazon). I did garner a satisfying number of readers locally and squeezed in two book signing events in December. The truth is I have not attracted attention to MURPHY’S TROUBLES on Amazon. I would like to have readers review my book. I have had one local author offer to write a review, unfortunately, the offer came in mid-December through my website e-mail (which I rarely check) and it was a month before I responded to his offer. I’ve responded to him but I’m not sure if he’s still interested. What am I asking for? I would like a one paragraph review of about 50-75 words, and approval to publish the review online and other appropriate places. If you are interested in reviewing MURPHY’S TROUBLES, please contact me at: [email protected]. Of course I will provide a copy of the book. As a first time published author there are a lot of thrills. Now it’s been about eight weeks since MURPHY’S TROUBLES became available on Amazon. While some authors disparage book readings and signings I found them exciting and having feedback from readers is fascinating and educational.
In the last few weeks I’ve received several responses from readers, all people I know, that have been special little gifts. One friend let me know she’s read through chapter seven this week and she e-mailed that I had “captured” her. Another is an AARP advocate colleague. He e-mailed me that he purchased my book on Amazon and was enjoying a good read during a frigid Wisconsin winter. I never expected a person I’ve worked with in AARP to also become a reader. Finally, one of the staff at Beans n Cream Coffeehouse told me she bought my book for her Dad for Christmas. She wanted to let me know her Dad started reading on Christmas day, has finished the book and is passing it along to other family members. Finally, I received an e-mail from my college roommate (yes, we still stay in touch). He let me know he also bought my book on Amazon and would be giving me feedback soon. He lives in Maine and with the extreme winter blizzards, if he has light and heat, he’ll have time to read. Originally, I was terrified of what people who read the book might say to me. I have been surprised at how kind and generous people have been. What experiences have you had when readers respond to your work? |
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